So current events:
A man was stalking me thru my window at three a.m. and I have been having nightmares every night since. If I'm about to fall asleep, I feel like someone's grabbed me and so I jump up real quick to find nobody even in the same room.
I was just scared shitless. I wouldn't be able to imagine the physco-logical damage to someone who was actually intruded on, raped, or whatever.
I was driving my ma's jeep and we got hit by a semi-truck. Pretty sure the jeep is totaled, and I'm reaalllyy hoping that the other man is at fault.
I have officialy moved in with Gregory. We leave for Flordia in a couple of days and when I get back I need to find a job, immediately. I cannot stand being a housewife and being at home all day to have nothing to do but cook or clean. I need to get out. (And actually, even thought it's only been a few days.. I am sure that he wouldn't mind coming home to any empty apartment for a little while after he gets off work)
So far, so good.
29 June 2008
17 June 2008
1:02 A.M.
I use to think that the worst feeling in the world, is someone telling you that they love you, and then taking it back.
But, I think the worst feeling in the world.. is loving someone so much, and knowing they never loved you at all.
But, I think the worst feeling in the world.. is loving someone so much, and knowing they never loved you at all.
13 June 2008
top 2007 movie
This movie, I thought, was excellent.
The Darjeeling Limited (Wes Anderson, United States)
Even more than to Eastern Promises, the reaction to The Darjeeling Limited underlines the fickle attitude maintained by elite criticism toward the contemporary American auteur cinema. The Darjeeling Limited does cover similar stylistic and thematic terrain to Anderson's earlier corpus (a criticism that is rarely leveled against cinema's sister arts, for what it's worth) though it does so in a fictional India that seems perfectly suited to the filmmaker's fiction. And it does so on a locomotive - a minor but rich sub-genre - that provides a rich metaphor for the film's meta-textual concern: in this case cinema rather than the theatre of Rushmore or the novel of The Royal Tenenbaums.
The Darjeeling Limited (Wes Anderson, United States)
Even more than to Eastern Promises, the reaction to The Darjeeling Limited underlines the fickle attitude maintained by elite criticism toward the contemporary American auteur cinema. The Darjeeling Limited does cover similar stylistic and thematic terrain to Anderson's earlier corpus (a criticism that is rarely leveled against cinema's sister arts, for what it's worth) though it does so in a fictional India that seems perfectly suited to the filmmaker's fiction. And it does so on a locomotive - a minor but rich sub-genre - that provides a rich metaphor for the film's meta-textual concern: in this case cinema rather than the theatre of Rushmore or the novel of The Royal Tenenbaums.
04 June 2008
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